For whom the Bells toll

For whom the Bells toll

by John Wigger on July 28, 2010

In all seriousness… this comic exists for the first three panels.

That’s the part that I find funny.

The last two panels are just explanation and a kinda funny joke at George’s expense.

When I started planning out the World Tour locations, I had the idea that Bigfoot was in the Himalayas visiting his family and there’d be some mistaken identity. I just wanted to put the guys in parkas based on their colors and have some fun… So, you get today’s comic.

There were a few different endings for it over the course of the prep work for the soul search storyline, but, realistically the joke for today is in the first half of the comic. I get that.

My sister is getting married Saturday, September 11th and hopefully a bouquet isn’t accidentally caught by yours truly in some wacky life imitating art kinda deal.

Comment ¬

Special Editions

by John Wigger on May 11, 2012

I’ve been working on a project for a little while… I have been quietly editing the earliest strips in the archive to get the fonts/word balloons up to a look closer to the current quality/standard. Each update day for the last week I’ve not only been putting out a new comic… I’ve also put up an edited version of one of the earliest strips in the Zombie Roomie archive.

I have wanted to go back and update the font for a long while… as you see, I have changed fonts and moved to an all UPPER CASED font for the comic’s dialogue. Back when I started I used the Mixed case of a different font. I also had word balloons that left a lot to be desired.

While I’m doing this editing, in very rare cases I’m changing a little (and I do mean little) of the art. The biggest thing I’ve changed can be seen in the above image where I changed the door’s location in panel one. When I had started Zombie Roomie, I had thought about giving the guys a door that was on the outside of their apartment… like they had a duplex or something. But I quickly changed my mind to have them live in a multiple story apartment building.

More frequently than that style of art change is when I change some small color issue. For the first few weeks of comics I had John wearing almost turquoise jeans… I changed to a more denim blue and now all of his jeans will be the same color. I’m also fixing Zoey’s eyes, almost all of Jamal’s colors in his early strips, etc. I want to make sure the early comics reflect the colors that I’ve settled on as I’ve gotten into a groove with Zombie Roomie.

There’s also a bit of recompositing going on. I originally had really tall and skinny panels, but just before the one year anniversary I changed to the current panel ratio. I want to have the comics all fit in the same size so I’m taking the art from the comics and repositioning it into the new size.

That also allows me to make the comics all the new size of 1000 pixels wide. The very first comics were around 935 pixels and after the first year I moved to 970. In the last few weeks I’ve moved up to 1000 pixels and all the edited comics will end up being that as well… when I get to them.

Other than a strange George Lucas like desire to go back and edit my old work… there is an actual reason for this. I’m getting the files ready for the first book of Zombie Roomie. I want the reading experience to be consistent. The less than stellar word balloons, the changing fonts and cases, and the colors changing during the course of the book would be far more noticeable than they were if you were reading the comic as the strips were going up each update. The art changes are to keep things consistent.

I’m not doing the totally insane thing of redrawing the old strips… I’m just tweaking them.

I just wanted to let you guys know what was going on in case you were interested and/or you were going through the archives and noticed the drastic change when you got to the old strips after the updated ones.